changehistory: (Fingers to lips)
1. She married someone else.
2. She let him raise my son as his own.
3. She let them lock me away for 30 years. Not that there was much she could have done to stop it, but still. And apparently she did try to get me out. But...this sort of has festered for a while. It's hard to let go.
4. My love life is already complicated enough.
5. Elle is jealous just having her in the house. God help us all if it was more than that.
6. She lost faith in me.
7. I had Maury attack her. That sets bad precedent all around.
8. She told our son to kill me.
9. Sometimes it's just too late to go back.
10. I'm sleeping with her son.
changehistory: (A man in the shadows)
"Tact is the knack of making a point without making an enemy." - Isaac Newton

Adam had made reservations for 1:00 at Arabelle, an upscale Italian restaurant on the Upper East Side, thinking to put Angela at least slightly at ease by the surroundings. Surely he could have no immediate ill intent over expensive wine and pristine linens in elegant surroundings while dressed to impress, could he? He even went so far as to hire a town car for the afternoon instead of a cab, so that she would neither have to bother her own driver nor deal with the annoyance of truly public transportation. Well tailored suit, nice coat, leather gloves, expensive sunglasses...he remembered how to fit in this world as well as he fit in the East Village and hung around in the bar playing piano and having a glass of whiskey with the bartender. Of course, they could both of them lie with a smile and kill with a kiss and the other knew it all too well, but he was really hoping it wouldn't come to that. He did have that pesky resolution to keep about not killing any more of their parents, and she did have some minor level of protection, he supposed, by reason of their former relationship, but he did hope she knew not to push him too far.

He wanted this to go well.

The balance of power had shifted. He needed her to realize just how far. She might control Primatech, but that alone lost a great deal of significance considering he knew its secrets and knew her so well. It lost even more, when lined up against the power he'd rallied on his side, and she had to see that. He shouldn't have to make threats or be crass about it. They could have a civilized lunch and discuss an amicable settlement. It might not be exactly what Claire or Peter had hoped for when they first discussed destroying the Company, but clearly Pinehearst had risen as the far greater threat. If they could end this without fighting a battle on two fronts...because, really, that never ended well, as both Napoleon and Hitler could attest to, and he'd no intention of losing simply because he overreached.

He might have the most power on his side, but they weren't invincible, no matter what they all thought. Once he'd thought that, and once they'd proven him wrong. She held the Haitian, and he could neutralize even Sylar and Peter. A sniper could take out any of them, and Sylar was the only one with the possibility of hearing the bullet coming in time to stop it. But did she really want to wage war on her sons, on him? Did she want power that much, or did she want peace? Because she had to know she couldn't take them all out, and decimating what was left of what Arthur tried to build despite them had to be her priority as well, didn't it? Weren't they stronger together? And couldn't she see the advantages of ceding the battle gracefully, before they rained fire on what was left of her empire? Did she want to kill her own children to stop him? That, of course, was the point not to be said, but always implied. He held her sons, at least two of them, in the palm of his hand, and the third, his, theirs, wouldn't break with Peter, not again, even if he hated Adam. He wasn't too fond of her, either. She couldn't count on Nathan's support. Her best bet was to stand with them, not against them.

Angela had never been a fool, he mused as he stepped out of the car and moved up the steps to ring the bell. She would see sense, see the advantages of laying down arms, and he could win this front without firing a shot, leaving him free to devote his time to finishing the rest, and rebuilding the a new dream from the ashes of the destruction of the old.
changehistory: (Nothing ever changes)
Angela,

Would you do me the courtesy of joining me for lunch? I believe there are several things which we should discuss.

I was thinking Arabelle, whatever day is most convenient for you.

Yrs,
Adam
changehistory: (Greater good)
[ooc: This is my own what-if. What if the founders were right? What if the founders really were trying to save the world all along, because what everyone's seeing in S3 is what they've been trying to stop all along--a worse fate, by smaller tragedies--even Adam? Sure they have their own agendas, but. Not binding on any Angela or Arthur muse, though if anyone would like to play along and let this be actual backstory I would LOVE to let it be Adam's, but won't force it on anyone, of course. :-D]

1977

Her screams brought them all running from the library where they'd been relaxing, Adam, Daniel and Arthur bickering a bit over a game of pool while Charles tried to get them to listen to some article in some magazine that Adam never could remember later. Maury had been fiddling with a chess set no one would ever play on with him given that he cheated and didn't grasp he was really only a pawn in their games anyway. Angela had left them to their brandy and conversation, claiming to be tired, and they'd waved her away with fond smiles, three of them casting each other measuring looks to see where her gaze lingered longest, but when she started screaming the competitiveness dropped away and all five of them raced for the stairs, taking them as fast as they could to reach her room.

Adam got there first, Arthur a step behind him, and both of them had their arms around her as her terror filled gaze flickered between them.

"What was it?" Adam asked, voice just a murmur, but she shook her head, closing her eyes again, then snapped them open as if what was there in the darkness was too terrible to bear.

"Get her some water," Arthur snapped at Maury who cam huffing into the room, and the portly man nodded and moved toward the bathroom immediately.

After she had sipped it and clung to Adam, and then Arthur, and then settled between them both for long enough for the trembling to stop, and just when Adam thought the tension in the room might snap if she didn't tell them what she had seen, she finally whispered, "We have to stop it."

"What?" he whispered back, as Charles and Daniel both moved in, settling on the edges of the bed, Charles on his side, Daniel on Arthur's.

"It exploded," she said, and another shudder ran over her.

"What exploded?" Arthur asked, a bit gruffly, casting a worried glance at Adam over her head.

"Everything. The Earth."

Three little words, but they stilled the room. Adam's breath seemed to completely stop, and he could not even hear his heart pounding in his chest, no pulse in his ears. His muscles ached after a long moment, and his lungs screamed for air, but he still didn't move, didn't breathe, couldn't, because somehow that would force him to acknowledge it.

It was Charles who broke the silence to ask her what she meant.

"I mean," she snapped, her voice a little stronger, "That I saw the world break apart into tiny pieces, exploding through space in fire, and we have to stop it."

"How?" Daniel asked.

And the room went silent again.  )
changehistory: (Uncertainty)
[AN: Not exactly how this scene went in RP, but mostly an artistic interpretation of a moment of how it was going in Adam's head. Nathan is [livejournal.com profile] notacargojet and Angela is [livejournal.com profile] mapetrelli.]

They sit there untouched, two waffles among four. There should be five, but Nathan refused. The boys devoured theirs before running out to play in the snow, and though she asked for one, Angela hasn't touched hers. Nor has he. Now there they are on china someone cherished, possibly handed down from generation to generation. It looks old enough to span at least the three that were gathered at the table just moments before, before they excused the youngest, before the secrets spilled out in confessions that couldn't be denied, before the anger erupted, before silence descended and the three of them were reduced to staring at separate points on the kitchen walls and floor and table, but never meeting each others' eyes to see what other secrets they might reveal.

He has no idea where they go from here.

It's a strangely disconcerting realization and one he's been forced to far too often lately. Things were going so smoothly up until...up until he decided to bring Suresh to Eden. That was the turning point, wasn't it? Elle's pregnancy was a dream come to fruition. Eden was flourishing and coming along well. Bennet had come to town, and semi-promised to keep him informed should he find his errant grandchild. Hiro running back and forth to Japan was a nuisance, yes, but he was loyal, at least, for once. And he had Peter by his side.

Now Peter is gone, and Hiro is acting oddly, and Angela is here in his life and home after apparently telling his son to kill him, and Elle is terrified by the apparent threat of her presence, and he had a few brief moments with his grandsons, but Nathan is here to take them away, and Nathan knows the truth, but doesn't really believe it, and nothing is being said because they are all staring at the walls, and the waffles just sit on some other family's china who thought to pass it on to grandchildren who will never run and play in the snow the way he can hear his doing through the glass of the windowpanes.

His gaze drops back to his waffle. Breakfast had seemed like a good idea, but like so many others it falters in cold retrospect. No infusion of normalcy can make this situation approach anything resembling familial. The man across the table may be his blood, but the likelihood of him ever calling him father is so remote as to be ludicrous, and the chance of this ever being his family, of ever finding place among them...he can't even decide which place he wants, can he, as fucked up as that is. Father, brother, son, lover. It's twisted up in his head too far, the bonds that run back and forth in blood and love and thirty years and a promise and a lie.

He takes a breath, tries to form words, tries to find a coherent thought.

Nothing comes.

The waffles grow cold.
changehistory: (Peter - Not broken)
It's been there in my dreams -- the scene I see unfold
True at last, flesh and blood, to cherish and hold
Jealous fools will suffer, yes, I know and I confess:
Once I lost my way when something good had just begun
Lesson learned, it's history, when all is said and done


He wasn't him. In the end it was as simple as that. He didn't do those things. He didn't make those plans. He didn't toss aside the best thing that ever happened to him in search of vengeance. There had to be something, of course, somewhere, enough to make the boy come back, but. He wasn't him any longer, and his mistakes would never be Adam's.

How that resulted in him standing before the mirror in a shop that was far too feminine to even dare to offer tuxedos, having Angela order the shop girls around as they fixed his collar, his sleeves, his trouser legs and generally made him want to twitch, he had yet to figure out. He eyed the champagne she had in her hand with longing, but it had been forbidden him because it might spill on the fabric.

"Couldn't we have gone to a tailor?" he asked, fidgeting in a way that got him swatted by the overly familiar shop girl. She got an icy glare for her troubles, but she seemed no more impressed by it than Angela.

"What do you think this is, Adam?" Angela asked, glancing up with an arch of her eyebrow.

"It looks like a dress shop," he pointed out dryly.

"Louisa's husband is the best kept secret in the City," she said absently. "He does all Arthur's tailoring."

Adam snorted. )
changehistory: (Burning thoughts)
And still I have the pain I have to carry
A past so deep that even you could not bury if you tried...

I would fall asleep
Only in hopes of dreaming
That everything would be like it was before
But nights like this it seems are slowly fleeting
They disappear as reality is crashing to the floor

After all this time
I never thought we'd be here
Never thought we'd be here
When my love for you was blind
But I couldn't make you see it
Couldn't make you see it
That I loved you more than you'll ever know
A part of me died when I let you go*


The fingers sliding lazily through his hair are familiar, even after all this time. Part of him knows that even this casual intimacy could become problematic, but in a world rapidly shifting around him--even if he caused the most drastic--some semblance of sameness seems necessary. He sleeps better when she forces him to it, and curled up here tonight, the fire the only light in the room, and the taste of whiskey on his tongue mingling with the well-remembered scent of her, he feels content. He is known, no mask necessary, no show of strength, no spinning of tales, no need to play their personal Jesus. He is safe, and safety is a thing he had forgotten. So he allows her touch, and the conversation carries between them in soft, intimate murmurs of the day and the problems to solve. Her insight is sharp and biting sometimes, cutting through the shadowed webs he dances around, but she, too, seems softer by the fire's glow, tempered by life and loss as much as he.

But there are gaps, gouges, craters and canyons that they balance on the precipice of. Thirty years is a long time to be each locked in a private hell the other can never fully understand. She is no longer the girl she was, thinking him nearly a god, and he has a new layer of bitterness pressed to his skin, a new coldness settled around him like a mantle, pulling him even further away from simple humanity than he had been just decades before. Standing apart was always his curse, but this distance is sharper, more engulfing, and he feels it with each breath, even as her fingers soothe him into a pretense of connection.

His need for the boy, her boy, separates them as well. They do not speak of it openly, but she finds him brooding in his office, sees the flash of loss, of pain in his eyes, and she knows him well enough to know. The tone that dances in his voice when he says his name is one she recognizes, and the sadness that slides through her gaze does not go unnoticed, but he does not know what to say to ease it. They are a culmination of decades of betrayal, pulled apart by their own choices, their own paths, and coming together now, pretending little has changed, when, really, the world they both knew is gone, and the people they were died long ago in cold, sterile hallways with the last gasp of a frantic dream.

These moments, then, are those out of time. They played in the snow with the boys, laughing, and there was hot chocolate for the children, and hot toddies for them when they came in. But his new consort's eyes burned, resentful and frightened of a closeness she neither understands nor shares, and the shadow of the children's father hangs over them, waiting to swoop in and break up the idyllic semblance of what could have been. Too many forces tug, pulling them back from the past to the present and an unknown future with each breath they take. He knows this. He knows she knows, too.

But, tonight, they do not speak of that. Instead they laugh softly, push the world outside the study door away, and pretend.

[ooc: Angela is [livejournal.com profile] mapetrelli and used with permission. Lyrics are from "Blind" by Lifehouse]
changehistory: (Upset/looking down)
Did you ever have to make up your mind?
Pick up on one and leave the other one behind
It's not often easy, and not often kind
Did you ever have to make up your mind?

Did you ever have to finally decide?
Say yes to one and let the other one ride
There's so many changes, and tears you must hide
Did you ever have to finally decide?


She'd thrown him out. Adam supposed that he should have expected it, really. Whatever his view of the situation, and despite how they both insisted he didn't understand, he did. His view of the world, of relationships, of love itself was so different from anything they could comprehend. He had to remind himself of that. He couldn't understand why Peter didn't understand his hurt, though. He'd been hurt when Caitlin left. Was Adam supposed to be less hurt at the thought of losing Angela? Peter was no more happy about Angela than Adam had been about Caitlin. The parallels seemed so clear to him, and he had at least tried to understand, hadn't he? Had he let him down with that, with his own insecurities, his own fears?

He'd loved before. He'd lived so many lives. He's promised "'til death do us part" on ten separate occasions...and death had parted them. Of all the things he'd never done, the one thing he'd never known was what forever felt like. He wanted to know. Did that make him a bad person, above and beyond everything he'd done? Was that what tipped the scales? It was selfish, but after thirty years in that place, didn't he have the right to be a little selfish?

Except he had a son, now. And his son...possibly had little to no use for him. Because of Peter. That hurt, cutting deep, because he didn't know if it would make a difference. If he chose Angela, did as she wished and walked away from Peter, would Nathan want a relationship with him, then? Or would he hate him for hurting his brother? Would Angela ever forgive him, even if he did choose her, or would he pay until she died?

And when she died...would Peter ever forgive him for having chosen her? Would he be throwing away his entire future happiness with one choice? Eternity with someone who challenged him to be better than he was, who inspired him the way Hiro had back then, who made him believe that maybe, just maybe, he could be a hero, could be someone to make...

Someone to make Nathan proud.  )

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Adam Monroe

November 2020

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