Meta - The Sorcerer
Jan. 28th, 2010 03:21 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
[From
kittydesade's Arcana]
THE SORCERER
The Sorcerer begins with great potential. He is shining, charismatic, and everyone believes that he will go on to do great things. He, himself, comes to believe it after a while, but only because people say so. In his heart he never outgrows the fear of disappointing, of failure, the fear that he is nothing as powerful or important or loved as he would like to be.
He grows into his power quickly, too quickly for his psyche or his mental and emotional development to support. At some point in his growth he is given a choice between that which he loves and which may yet be pure, and power. The power may be magical, political, psychic, intellectual, or artistic; rarely is it physical. The Sorcerer is, after all, a canon that relies on sheer power only as a last resort. Invariably he chooses power over all, believing that it will best help him to achieve his goals, and thus begins the Fall.
Over time the power begins to corrupt, as he sacrifices more and more of himself to become the arrogant, shining beacon that he pretends to be. The canon of the Sorcerer, however, is also self-knowledge. Even as he falls he is aware of his descent and the spiral of self-loathing, desire, and catharsis drives him further and further to the edge. This descent is easily marked in stages.
Sorcerers may begin in other canons. Most commonly, if they begin in another canon they begin as Priests or Stars. A Stage One Sorcerer will most closely resemble a normal human being. They will be calm, easy, smiling when they are happy, dead-faced or frowning or crying when they are upset. If they begin as another canon, it is at this time that the other traits will be most recognizable. A Stage Two Sorcerer will speak more often in obscurities, layering his comments so that there are at least two meanings, and it is rare that he will admit to doing so. More often he will display false emotions, pseudo cheer or pseudo anger, to achieve a purpose. A Stage Three Sorcerer will continue the worsening trend of speaking in double meanings and will consider himself distanced from most of his relationships. Those who he does have, whom he trusts, he will cling to and try to alienate at the same time, the principle being that the further he falls the more his friends and loved ones must be protected from him. Yet he cannot stand to be alone with his self-hate.
A Stage Four Sorcerer will be more openly self-destructive, and yet will restrain himself to such forms as are socially acceptable. He will test the boundaries and the persistence of his attachments, regarding them (whether or not he admits this) almost exclusively in terms of close friends and pleasant acquaintances. He is more of extremes, may be diagnosable as bipolar or manic-depressive, and display a mercurial temperament. A Stage Five Sorcerer may also be regarded as terminal. No traces of the original canon remain, and his self-destruction has reached the point where it will be remarked on by others if it exists in a form that is understood by his cultural environment. He has the manic charisma of the doomed, attracting sycophants and followers like the proverbial moth to the equally proverbial flame. He is dangerous, difficult to handle, and yet a Stage Five Sorcerer may be the most skilled at handling others. All Sorcerers, it must be noted, are gifted at manipulation.
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THE SORCERER
The Sorcerer begins with great potential. He is shining, charismatic, and everyone believes that he will go on to do great things. He, himself, comes to believe it after a while, but only because people say so. In his heart he never outgrows the fear of disappointing, of failure, the fear that he is nothing as powerful or important or loved as he would like to be.
He grows into his power quickly, too quickly for his psyche or his mental and emotional development to support. At some point in his growth he is given a choice between that which he loves and which may yet be pure, and power. The power may be magical, political, psychic, intellectual, or artistic; rarely is it physical. The Sorcerer is, after all, a canon that relies on sheer power only as a last resort. Invariably he chooses power over all, believing that it will best help him to achieve his goals, and thus begins the Fall.
Over time the power begins to corrupt, as he sacrifices more and more of himself to become the arrogant, shining beacon that he pretends to be. The canon of the Sorcerer, however, is also self-knowledge. Even as he falls he is aware of his descent and the spiral of self-loathing, desire, and catharsis drives him further and further to the edge. This descent is easily marked in stages.
Sorcerers may begin in other canons. Most commonly, if they begin in another canon they begin as Priests or Stars. A Stage One Sorcerer will most closely resemble a normal human being. They will be calm, easy, smiling when they are happy, dead-faced or frowning or crying when they are upset. If they begin as another canon, it is at this time that the other traits will be most recognizable. A Stage Two Sorcerer will speak more often in obscurities, layering his comments so that there are at least two meanings, and it is rare that he will admit to doing so. More often he will display false emotions, pseudo cheer or pseudo anger, to achieve a purpose. A Stage Three Sorcerer will continue the worsening trend of speaking in double meanings and will consider himself distanced from most of his relationships. Those who he does have, whom he trusts, he will cling to and try to alienate at the same time, the principle being that the further he falls the more his friends and loved ones must be protected from him. Yet he cannot stand to be alone with his self-hate.
A Stage Four Sorcerer will be more openly self-destructive, and yet will restrain himself to such forms as are socially acceptable. He will test the boundaries and the persistence of his attachments, regarding them (whether or not he admits this) almost exclusively in terms of close friends and pleasant acquaintances. He is more of extremes, may be diagnosable as bipolar or manic-depressive, and display a mercurial temperament. A Stage Five Sorcerer may also be regarded as terminal. No traces of the original canon remain, and his self-destruction has reached the point where it will be remarked on by others if it exists in a form that is understood by his cultural environment. He has the manic charisma of the doomed, attracting sycophants and followers like the proverbial moth to the equally proverbial flame. He is dangerous, difficult to handle, and yet a Stage Five Sorcerer may be the most skilled at handling others. All Sorcerers, it must be noted, are gifted at manipulation.