changehistory: (Default)
The third folder contains 52 more copies of "Hallelujah" and can be downloaded here.

The versions of "Hallelujah" contained in folder #3 are under the cut.

Folder #3 )
changehistory: (Default)
The second folder contains 36 more copies of "Hallelujah" and can be downloaded here.

The versions of "Hallelujah" contained in folder #2 are under the cut.

Folder #2 )
changehistory: (Default)
Rather than keep updating one post, I'm breaking it out to what we've got in each folder, because that post is getting unwieldy. Right now, there are 4 .zipped folders, containing a total of 217 versions of "Hallelujah." When we get enough to justify a fifth, a new post will be added. :-)

The first folder contains 87 folders and can be downloaded here.

The versions of "Hallelujah" contained in folder #1 are under the cut.

Folder #1 )
changehistory: ([Baileigh] [Sark] 3some)
Adam's still in Canada, like most of the family probably, so he makes sure the following gets delivered to Baileigh and Sark's hotel room, along with a bouquet of flowers.

He's totally taking a card out of Sark's deck, even if he's usually more creative, and there is a little blue box. Attached is a gift card for a spa day in the hotel spa, and an offer to babysit, as well as the following note in her card:

Happy birthday, sweetheart. I'd have offered more of myself for the evening, but being a respectable engaged man, and you a married woman and a mother, I thought perhaps a piece of jewelry reminding you how loved you always are, was more politic.

Love always,
Adam
changehistory: (...Oh?)
1. Your favorite.
2. Your least favorite.
3. One that makes you automatically think of me.
4. One that you think I should TOTALLY use more often.
5. One that you don't get/needs more explanation/you have no idea why the hell I have it.
changehistory: (Adorable modern smile)
Singer Castle on Dark Island is for sale.

It has secret passageways.

I want.

Choices

...It could be a nice base for the new Company...

/Choices

Family Legacy

...Look how fortified it is.

/Family Legacy

More info on the castle. Clearly we'd stop the tours.

And a lovely image, under the cut.

It's on an island. With secret passageways. )

Selling narrative:

Secret passageways abound in this early 20th century castle near the Canadian border. It was originally built for the president of the Singer Sewing Machine Co., Frederick G. Bourne, by renowned architect Ernest Flagg. The five-story, 28-room castle, aptly named Singer Castle, has stone spiral staircases, copper gutters and a castle dungeon. Uniquely situated on one of the St. Lawrence Seaway’s Thousand Islands, the property offers two boathouses, a beach and a sizable squash court.
changehistory: (You have GOT to be kidding me)
His own empathy really was enough.



[ooc: ...applies for any 'verse where Peter's picked up Lydia's ability. Or Melissa's, actually, for that matter. LOL]
changehistory: ([Angela] BW)
Sometimes when the night stretched out long before him, he thought of her in that big house, all alone, and what might have been, had fortune and fate smiled on them, and wondered if she ever sat and dreamed about him, too.
changehistory: ([Peter] - fear me love me do as I say)
You felt the coldness in my eyes,
It's something I'm not revealing.
Though you got used to my disguise,
You can't shake this awful feeling.

It's the me that I let you know,
Cause' I'll never show,
I have my reasons.
I hate to say that I told you so,
But I told you so.

There's blood on my hands like the blood in you.
Some things can't be treated so,
Don't make me, Don't make me be myself around you.


For long stretches of time, it's easy to hide, to slip into the mask he's crafted for the younger man. Peter makes it easy to smile, after all, to let the lighter side of his personality slip out. His faith, his belief in humanity, even after so many times of seeing darkness, is light a beacon shining in the shadows of Adam's world, and for a time it's easy to cling to that, to use it as a guiding light to steer his way. He laughs, he jokes, he lets the cynicism slide and the centuries slip away as if they aren't dragging him down into some darker abyss of his own creating.

Sometimes he even wants so badly to be that mask, to slip it on permanently, and he wonders if he wears it long enough if it will be truth. Then something happens, some word rubs over his temper or some news article reminds him of too many memories dragging at his consciousness, or he wakes shaking from one of the constant nightmares that lives in his mind, and the shadows rise up again. Dreams of blood, dreams of destruction, dreams of glory, dreams of what should be, dreams of vengeance. He remembers what could and should be, and he wonders why this naive boy cannot see it, cannot see him, and temper flares again, ice cold and cutting in its boundless fury. Sometimes just a moment, sometimes longer, but it has to run its course before he can wrap himself back into the guise of the warm, congenial lover again.

Most times he tries to hide it from Peter, but others...others there's a reckless desire to see just what he'll let him get away with, how much of him he can handle.

He fears the answer is not enough.

Straight from your eyes it's barely me.
Beautifully so disfigured.
This other side that you can't see,
Just praying you won't remember.

Feel the pain that I never show,
And I hope you know,
It's never healing.
I hate to say that I told you so, but I told you so.

There's blood on my hands like the blood in you.
Some things can't be treated so,
Don't make me, Don't make me be myself around you.


How Peter has forgiven him, he already cannot understand. What he did was not something Peter can forgive, he thinks, not really. He seems to have accepted it, though, and Adam wonders if Peter thinks he believes it was wrong, that Adam has seen the errors of his ways, repented, been redeemed. Is it repentance that earns forgiveness, and would that acceptance even be stripped away if the boy knew how he ached for what was loss and the chances that slipped away.

He isn't broken, he protests, but he knows that's not true, and there are pieces of him lost in time that can't ever be put back together. Too much loss, too many betrayals, too many broken dreams, too much anger, too much hate. Not even Peter's light can heal it all, even if it is a soothing balm. If the boy ever realized...ever knew...ever really saw...

Adam is sure he'd lose him, lose all they have, lose the one sanctuary where he thinks, perhaps, he can rest, and at least pretend to be like them. Understanding doesn't come easy, and he doubts it's sincerity in the face of the full truth, so he keeps the carefully crafted mask. He says the right things, expresses the right emotions, tries to be the person Peter believes him to be, needs him to be. Maybe if he keeps it up, one day he'll believe it, as well.

But Peter pokes, pries, tries to make him open up, be more authentic, let him in, let him see the man behind the mask, and Adam is forced to wonder if his memory is just that short-term or if he really doesn't understand just how tragic that would be for the both of them. Because the day Peter really realizes the man he's let into his life and heart is the day Adam's sure will be their last.
changehistory: (Contemplative)
I'm a pretty damn good pianist. Most people seem shocked when they find that out. I like playing down at the local bar, wouldn't mind a more regular gig. I sing well, too, and am actually really fond of music. I don't know why people end up being surprised by it--you live as long as I have, and you have time to get good at things, time to practice until you're more than proficient, even if you hadn't a great deal of natural talent.

Of course, music was mostly forbidden when I was growing up, which is probably why it always fascinated me. If it was supposedly of the devil, I was pretty determined to be a part of it. I'm contrary that way--that shouldn't surprise anyone, actually. But then I found that I loved music for itself. It has an inherent order to it, it grows on itself, it changes through the years, but a real understanding of music theory, of the past, allows you to create the new things of beauty that will last. I enjoy watching the trends change, and I love watching the instruments change, and yet the passion that drives musicians has been the same through the years.

Some things can only be expressed through song, through the poetry of mathematical progression of notes. It's an escape and an expression of the truest things about you. I can lose myself in a piece, and when I play...it connects me to the men I've been before, and the man I could be at the same time, past, present and future all united. It's some of the only time I truly feel like myself--no masks, no expectations, just me and the music.

Maybe that's why I'm good at it, and why it surprises so many. No one expects to see that side of me. Most don't think it exists, and if it does, why would I show any such vulnerability.

...Maybe that's why I don't tell most people when my gigs are.
changehistory: (BW close up pretty eyes)


Your Seduction Style: The Charismatic



You're beyond seductive, you're downright magnetic!
You life live and approach seduction on a grand scale.
You have an inner self confidence and energy that most people lack
It's these talents that make you seem extraordinary - and you truly are!


changehistory: (Brooding)
1 question...
1 chance...
1 honest answer...

That's all you get. Ask me one question. Any one question, anything, no matter how crazy it is. An honest answer. No catch.

All comments will be screened so your question stays private between you and me, and only you will get to see my answer to your question. But I dare you to repost this and see what people ask you.


[ooc: they'll actually be fake screened, so other muns can enjoy reading, but consider everything automatically locked between Adam and your muse]
changehistory: (Lips of Adam)


You Are a Fallen Angel



You used to be good, until you fell from heaven. Now you're naughty and loving every moment of it.
You're all about lust, gluttony, greed, and wrath. It's not fun when you have to be perfect all of the time.

You are quite seductive and thrilling. People are drawn to you, even though you're probably bad for them.
You are charming and charismatic. You do whatever you want, and you have a hell of a time doing it!


changehistory: (Kensei - Waiting with sword)
I used to be fond of sake. Like really, really fond. The sort of fond that isn't really all that healthy, because you end up missing half your life in a haze and the other in a hangover and none of it is at all productive. But more than that--I loved the taste of it, the burn of it. Oh, don't get me wrong, I loved the black veil it drew over memory and blame just as much or more, I was fond of the stuff itself. After a youth of cheap ale and gin, sake was truly the godsend I thought I found in Japan.

I can't get drunk anymore. How funny--it was a set condition of becoming a hero, for me to stop drinking, but little did we know then that it was about to not matter anymore. My ability manifested fully. I woke from the dead. And, believe you me, promise or not, I worked desperately hard to get drunk that night, but to no avail. The sake burned out of my body the way it used to burn away regret, and left me face to face with the reality of what I was becoming.

Still, I drink for pleasure, now, for the taste and the loose-knit memory of a kinder oblivion than any I've found in ages, but it isn't sake. God, no. I won't touch the stuff unless forced to by politeness or custom, and only then if I'm in a mood to be conciliatory, not offensive. For the sake of a business deal I need or a connection I want to keep, I'll force the stuff down, but I don't enjoy it anymore.

It's laced with too many memories, too much lost hope, too many disappointments, too much failure. Every sip brings back something I'd rather forget, instead of driving an errant memory away, and when I cannot lose myself in any pleasant escape even, then I find it far more wise to avoid it when possible. If I'm going to drink, let it be a wine that brings to mind the halls of Versailles, or a beer that reminds me of afternoons with mates in a pub, or a solid whiskey sipped by a fire, imbued with memories of conversations and dreams that never quite died. But not sake, not anymore. That love, like so many others, is dead, and I'm fine with it staying a ghost of a past I won't repeat.
changehistory: (Brooding)
Everything's booked the weekend we wanted to do it, so we've moved the wedding to August 14. We'll be going to Massachusetts, so I'll do my best to get rooms booked for the family, at least.

I'm still not convinced it wasn't some sort of conspiracy to make us wait.

In the meantime--everyone's still got their passports in decent shape from last year to get to Canada in two weeks for Mohinder and Sylar, yes?

AFK-ness

Apr. 9th, 2010 12:12 am
changehistory: (OOC - Mr. Monroe is busy)
So, my show opens tomorrow and my parents are flying in to town for the weekend tomorrow morning. The likelihood that I'll be online much at all until they're gone is low, the likelihood that I'll get any tags done, even lower. Maybe one or two before bed, or something, but expect me to be fairly absent until Monday or Tuesday.

<3
Bria
changehistory: ([Hiro] --More than a friend)
"Your worst enemy could be your best friend, and your best friend your worst enemy." - Bob Marley

Three hundred and fortyish years was a very long time to carry something--a grudge, a hurt, a remorse, a hope. It didn't matter what, really, except that it lay there inside of him, fine for a decade or so, and then flaring up with a flash of pain so searing that it was clear time was not taking the edge off of anything. Everything had gone so wrong. For the first time in his life, he'd known what it meant to be someone to someone else, to be admired, to be a friend, to have a mission--a purpose. He'd belonged, even as an outsider in a country that was never going to be his, when he could no longer bring himself to return to his own. Had he overreacted? Undoubtedly, if it were about the girl, but gods. It was never about the girl, not truly.

"We did make a good team, you and I. You showed me how to be to a hero, how to love... and then you took it all away."

He would never have looked at Yaeko, much, save for Hiro's insistence it was his destiny. If he were truly, desperately, honest--he hadn't been looking much at Yaeko, anyway. The strange young man from the future drew him, with his stories of Kensei and the man he was supposed to be. He didn't have words for what he wanted, not really, not then, or for what he was feeling, but he'd have done--had done--just about anything for him, to get him to smile.

And then he'd taken it all away, ripped off the mask and proven the lie beneath and God, but after so long that shouldn't still sting. Adam wasn't sure he was even angry anymore (though each time he tried to convince himself he wasn't, he felt the words tumbling around like all the other lies in his head). But he wasn't angry about Yaeko. He was angry about...he didn't have the words for it, not really, not until the moment he watched Hiro marry Claire, and felt that snapping line in his head that slipped around and hit with a sting that hurt more than it should have after so long, after so many loves in between, after finding someone he wanted to spend the rest of his life--what an amazing concept, that--with.

He hadn't been good enough, he thought. And for nearly three and a half centuries, the lack of it, the hurt of it, the rejection of it had festered, echoing in each repetition, each betrayal, each loss until it was magnified beyond all measure, and he didn't know how to extricate it anymore. It wasn't all Hiro's fault, not by a long shot. Adam had made his choices, and others' had made theirs, never even knowing of the strange young man yet to be born in some distant future Adam only dreamed about. But somehow, every time he looked at him, it all came crashing back, like some overwhelming sense of failure, of not enough, of all he had to fight back against to be someone, to make something of himself, to prove them all wrong.

The friend had become an enemy, and the enemy had become a symbol, and try as he might Adam didn't know how to turn the symbol back into a friend.

ooc note

Mar. 31st, 2010 10:37 am
changehistory: (OOC - Mr. Monroe is busy)
So, my show opens in 9 days, and we have load in and tech this weekend, and my parents will be here for the show next weekend. In addition, major plot starting in [livejournal.com profile] hearts_andminds that we've been planning for months and which will probably take through mid-April, and which Mohinder, Adam and Lydia all have pretty big parts to play in. Plus, I've been a little neglectful over there of my other muses, and need to get everyone out and about and keep on top of things there.

So, I'll keep tagging things I have going, but my focus is very much going to be H&M and [livejournal.com profile] thepathwechoose, and then into [livejournal.com profile] recreating_eden to get things going there as they should be for a while, and catching up on prompts and some RP in my smaller 'verses as well. I don't like feeling out of touch/behind--but that means I'll be slower starting some stuff, and not as around in other 'verses/games, because I have other commitments.

Basically just a note to say I'm busy, and have a lot on my plate, and other obligations to meet, so if I'm not as randomly around for a while, or as there in one game or another, that's why. I'll work to find some sort of balance and try to figure out what that is, but right now I need to shift some attention to writing and people, games and muses I've neglected.

<3,
Bria

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changehistory: (Default)
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