changehistory: (Buried alive)
If you were Scrooge and three ghosts came to visit you, where would they take you in your past, present, and future?

The darkness is pressing, suffocating, all around him. It’s complete silence, where the sound of his racing heart pounds in his ears and seems to echo off of the satin walls of his new cage. He screams for hours, he thinks, ripping his throat raw, tasting blood. The wounds disappear only to rip open again as he begs for Hiro, for someone, for anyone, to come. Eventually he simply can’t anymore. No one is coming, and the air is thin. He can’t see anything, but he can feel how near it all is. The weight of the Earth rests on him, the satin a mocking softness, like the pillow under his head. Nails shred it in desperation, only to bloody themselves on wood that he pounds on as tears streak down his cheeks.

How? The question rolls inside of him, again and again until his mind is screaming with it even as his voice keeps its peace. How? Why?

Hours, days, some immeasurable span of time before, it had all seemed so near, so close, the world at his fingertips, ready to be reshaped as he issued in the New Age of Man. Now the air is thin around him, his heart speeding up even as he tries to calm it, breathing slow, shallow, trying to reduce his need for oxygen. He never believed he could fail. He never believed Hiro would stop him. He never thought, even if he did, that it would come to this. Worse than death. Worse than grief. Worse than loss.

It almost makes him scream again, and he bangs against the wood of the lid, helpless in fury and fear, feeling splinters slide into his skin. His body pushes them back out and he bangs again, feeling them gouge deep. It’s a cycle, a rhythm, the pain of it, impaling himself on them again and again and healing in an effort to stay sane, stay here, not start screaming again until there’s nothing left but a shell of the man he was.

Fury. Grief. Loss. Grief. Fury. Pleading, begging, threatening. It’s quiet in his head, yet he feels like he’s screaming still for all of that. Pain, heal, pain, heal, as tears keep falling, and no matter the things he’s done he cannot comprehend that Hiro has left him here, like this, for always. He’ll come. He has to come. He wouldn’t. He would. He’s not coming. He did. He’s gone.

The air thins despite his best efforts. He’s too deep. It’s too close. Everything is seeping out and the darkness is creeping in from around him to replace what was there inside, pushing him out, further away, reaching for even the spark that always burns. His cells can repair themselves, but as quick as they do, his body recognizes the lack of oxygen and they break down again. Visions dance before him, whispers slide through his brain and ghosts’ mouths open with sharp teeth, gnashing through memory, dream and hope.

* * *

He watches him, his conscience, as he sleeps next to the man he barely remembers being in an inn outside a village whose name he's long since forgotten. )


ooc: All dialogue from "Out of Time" and "Powerless"
changehistory: (Wounds aren't healing)

I Win by Abra Moore

(ooc: Hiro used w/o permission of his mun and nothing in the ficlet should be seen as binding on any muse unless they wish to adopt it for themselves)

All right all right I lied about loving
A man that I love, a love I won't have.
It's true It's true I'm falling apart
And I can't get you out of my heart.
Kiss me under the table and we'll make believe in love
And dream with me under the table
It makes me feel it makes me feel alive.

Something is filling my heart full of secrets
Something is filling my heart full of lies.
Something is taking my lover for granted
Something is making me cry.
Can't get you out of my heart

OK I win you've finally lost me
You're letting me go, I'm walking away
It's true It's true I'm falling apart
And I can't get you out of my heart
Holding on to something so wrong.

 He’s supposed to want to kill him, Adam thinks, not kiss him.  There’s a way this is supposed to go, and while it involves screaming and tears, it doesn’t end with him cradling the boy in his arms, fighting back tears of his own.  There should be triumph, now, victory at hand after waiting for so long.  He left him, and that can’t be forgiven, can it? So he does something unforgivable, because if Hiro can’t forgive him, he can feel better about the wall around what used to be his heart.

 Except the wall cracks, it crumbles.  Small holes appear of what-might-have-been, if there had been no princess or they’d both been wise enough to pay her not the least bit of mind.  If his arms had wrapped around a different form, and lips paid homage elsewhere than against hers.  Nightmare fantasies and dreams tangle up with a hatred too deep, too ingrained to be uprooted where it settles in his soul and twists around the roots of something too close to love for comfort.

 So he lashes out and does the unthinkable and knows that the boy will have to release his hold, now.  How can he not?  He’ll have to stop with the worship, the belief, the faith that tears at Adam when he can’t sleep at night.  Kaito’s blood stains his hands and seeps inside him, a secret he holds as a weapon to wield, only it’s thrown in his face before the dénouement he has planned.  Eyes hold, something breaks, fingers cling to weapons and skin, and he knows that it doesn’t matter how far he walks away, or if Hiro releases him with all the power at his disposal. 

Part of him will always remain behind.

changehistory: (Telling a story)
1. To my mother, after my father left. I'm not sure what it was, but I'm fairly certain it was my fault somehow. There was an accident, I think, and something spooked him. Looking back, I'm fairly certain that it was the fact that I wasn't hurt.

2. To Hiro, after I hit him over the head. He looked rather helpless lying there.

3. On the same note, to Hiro, for the opium. Running on rage, I've been told, is not the best way to do things. It seems to be a pattern I cannot break, however.

4. To Yaeko, because I never could love her like the stories said I should. I tried, as I tried with every task he set, but some things go beyond trying.

5. To the swordsmith for not being a gentleman and waiting until after marrying his daughter. I've never quite gotten the gentleman thing down. Too many rules.

6. To Yaeko, because, lovely as she was, I wasn't thinking about her while not waiting for the wedding.

[Locked from Peter and Hiro]

7. To Peter, for having to make him think we were going to save the world by destroying the virus. There wasn't time to convince him of my vision, after what he'd seen.

8. To Linderman, for not being there to continue to guide his endeavors.

[/Lock]

9. To Bob, for blocking the cameras a few nights while teaching his daughter a few things.

10. To Elle, for a less than romantic introduction to adulthood. A prison bed may work well enough, but cold white walls, even with reflected sparks, do not really set the mood.

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changehistory: (Default)
Adam Monroe

November 2020

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